Thursday, July 8, 2010

Wendy Calio And Fakes

Women: different identity. Andrea Giglio













La complessa tecnica pittorica ideata da Andrea Giglio è il mezzo con il quale egli rafforza e rende incisiva la presenza del femminile nelle sue opere. Donne e ambienti onirici si fondono in un tutt’uno per generare quella sensualità intrigante che naviga gli oceani delle sue tele. Sovrapposizioni floreali sfiorano i nudi corpi abbandonati in un sottile e delicato erotismo che rappresenta human nudity in its natural, however, emphasizing the strength and vigor. A woman's face, booster Botticelli emerges from the sea: blues and blue outline the ecstasy of this Venus. Joyful dancing cherubs share the stage with a lady from another era, in a setting that preserves ancient lost flavors.
Blending technology and tradition, realizing oleographs manuals on canvas, completed after finishing with oil, Andrea Giglio proposes a new pictorial language that challenges traditional conventions, creating an immediate artistic communicability. The decision to merge the pictorial element in the holographic has the flavor of modernity. His paintings are framed by himself with special frames, also made these by hand, in perfect harmony, form and color, the framework that collect thus become the unique and very special. The accelerated time that mark our everyday life, graphics are reflected in the readiness of his paintings. The taste of the past emerges alongside a vibrant present and tangible.

How Should A Normal Period Look

Women: different identity. RAFFAELLA CAMINITO









protagonist of Raphaels Caminiti is the culture Afro-Caribbean, taking shape in the mother's body and in large volumes of the figures that inhabit his paintings. The newspaper is opened up to the viewer by showing gestures and habits of life that happen every day, adjusting the communication between human beings. The taste of Africa reflected a strong spiritual sense and that there is ancestral in the protagonists, as mother goddesses of the earth, put on the jug of water, work the fields, weave their talk in the warp of a chore, swear an elegant no to a courting male. The female element staged by Caminiti invokes the power of African masks used in ritual protected by the difficulties of life and in civil functions. The painter in a harmonious flow forms icons into his women, making them priestesses of tomorrow. Among the colors used to vibrate like the warm colors red, a symbol of fertility and life, while the light-dark embrace the duality of life eternal darkness. The artist access to the sensuality of its icons spiritualize soul essences and playing time that they release with disenchantment.