protagonist of Raphaels Caminiti is the culture Afro-Caribbean, taking shape in the mother's body and in large volumes of the figures that inhabit his paintings. The newspaper is opened up to the viewer by showing gestures and habits of life that happen every day, adjusting the communication between human beings. The taste of Africa reflected a strong spiritual sense and that there is ancestral in the protagonists, as mother goddesses of the earth, put on the jug of water, work the fields, weave their talk in the warp of a chore, swear an elegant no to a courting male. The female element staged by Caminiti invokes the power of African masks used in ritual protected by the difficulties of life and in civil functions. The painter in a harmonious flow forms icons into his women, making them priestesses of tomorrow. Among the colors used to vibrate like the warm colors red, a symbol of fertility and life, while the light-dark embrace the duality of life eternal darkness. The artist access to the sensuality of its icons spiritualize soul essences and playing time that they release with disenchantment.
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